More thoughts on Nick and Norah's infinite playlist (2008)

More thoughts on Nick and Norah's infinite playlist (2008)

For the ultimate review of this movie see Jan De Bakker's review below (apologies for the generation X style of that phrase. I am, by the way, proud to be too young to be a part of generation X).

I saw this movie too and had some thoughts on it as well. I also review the soundtrack, see below.

This is a highly anticipated movie, mainly because it stars Michael Cera. Cera is a Canadian actor who starred in the two biggest teenage movies of last year: Juno and Superbad. Cera is sort of on the verge of being an icon of his generation. Now that GenX is reaching their 40's, a new generation emerges. Cera is introverted, stable and good natured, which is the complete opposite the previous generation that celebrated "trash talking" and extremism of aggression.

So, the question is: will Nick and Nora follow in the tradition? Well, it sure tries.

You meet Cera who goes by the name Nick now. He is broken up with his girlfriend. You kinda wonder if the girlfriend is Ellen Page. He looks and dresses the same as in SuperBad, except that he is changed from green hoodie to a blue one. If you want one yourself, the one he wears in the movie is from American Apparel. His room looks just like Juno's room with the cut outs all over the wall. He lives in a house that looks like his house from Juno too.

He is met by his friend Thom, played by Aaron Yoo, who wants him to play in their band for a gig in New York City. We learn that the band members are gay except Nick. He tells him that it is "hard being straight" and Thom couldn't understand that. Yoo is an interesting actor. He represents a growing asian presence in films. Almost every teen orientated film seems to cast him. Always in a small role where he is gay or asexual. He not so much playing an asian stereotype like -Jackie Chan, but he is clearly subjugated. John Cho of Harold and Kumar fame makes an appearance later in this film. Ever notice that the only time you see an asian male actor being aggressive to another person in a non-racist stereotyped way is when they doing so to another ethnic?

Well, I am proud to say that this film is directed by Peter Scollett. Scollett is someone who was at NYU when I was there. Two of my good friends were in classes with him at Tisch.

Now with this in mind, the when the movie gets to New York from the safety of the close New Jersey suburbs, it is shot in all the NYU kids nightlife pallet. If fact is you are thinking of going to NYU, you should check out this movie for taste of your nightlife. Scollett got the look and feel of being out on a Thursday through Saturday night downtown. NYU students study on Sunday.

The girl in the film Norah is played by Kat Denning. Denning does a good job playing an introverted cold and stuck up girl with a lot of money who is highly troubled. Basically like many of the girls you would meet if you attended NYU.

The trouble is that Denning and Cera do not pair up well. Cera needs to be paired with a extremely lively and loud partner. Jonah Hill and Ellen Page had more personality than most people can handle. Cera seemed to absorb that, and it create a pleasing dynamic. When you pair two introverted people it is kinda boring. In fact, the most interesting chemistry was between Nora and Tal , played by Jay Baruchel (Canadian). Jay Baruchel has a lot a of presence in his bit role as the manipulative friends-with-benefits guy that Nora is involved with when she meets Nick. Baruchel standout very much when is away from his Judd Apatow brothers such as Seth Rogan.

The movie also makes a bad move by having Nick and Nora have sex or whatever they were doing. One thing that movie has going for was a kinda innocence to it that has been seen from Rushmore to Juno. Somehow, the way it is was done here has that sleazy feel that teenage sex had in the 1980's teenflicks.

Nevertheless, movie has it's moments. It greatest accomplishment is cinematography is the shot at the end. It ends with a kiss on the escalator in Madison Square Garden going to Penn Station. It is really ugly place in New York, but it is a very beautiful romantic shot. So, maybe there was beauty there after all.

At other times the movie is boring without a lot going on. I would say about 45 minutes could have been cut out There is not real conflict presented. Everything just seems too safe. Overall, it is a cute movie, and I would recommend it.

Nick and Norah's Infinite Playlist

TIKKUN O'LAM IN MANHATTAN
"Nick and Norah's Infinite Playlist"

What is it about romances that draws us back to movie theatres over and over again? I mean, it's the same story every time, isn't it? My literature humanities instructor in undergrad would probably have said that it is an expression of the Universal Human Experience. Whatever. I just like seeing people in love with each other*.
"Nick and Norah" is one such romance. Michael Cera as Nick plays essentially the same character as he did in "Juno": an awkward, kind and irrepressably geeky high school senior. Norah (Kat Dennings) is a moody, "stone-cold Jap" stuggling to come out from the shadow of her rich father. Both are huge music geeks in tune with the underground hipster scene. The movie takes place over a single night in Manhattan, as Nick and Norah, along with a motley assortment of friends, try to find the secret location of a surprise concert to be given by "Where's Fluffy". Hints to the concert's venue are only given by rabbits drawn in improbable places, and indeed as the group of teenagers meet, disperse, and meet again in various misadventures in the nighttime world of Manhattan, it is in fact as if they have gone through the looking glass. In the course of this midsummer night, Nick and Norah fall in love, fall out of love, and fall back into love in the inevitable sonata of the love story. And through it all, of course, there's a great and nearly constant soundtrack. Now I am not myself a huge music geek in touch with the underground hipster scene, so don't recognize the songs or the bands, but I definitely appreciated the music.
"Nick and Norah" is really a reflection of American Graffiti. Both are movies about a group of teenagers spending a night on the town and coming of age in twelve hours. For Nick and Norah, this happens in the hipster music scene in New York, while American Graffiti takes place in the car-racing scene in Modesto, California. But there is a fundamental difference. American Graffiti is about what those who lived in the Swinging Seventies would be pleased to call "self-realization": each of the characters in the movie come of age, but they do so individually, as separate entities. The entire movie takes place on the night before college begins, and while they all grow up overnight, they also know that they must part ways in the morning and seek their own way as adults. "Nick and Norah" by contrast is all about coming together: the main characters do so, of course, but so does everyone who, after patient searching and red herrings, is finally unified by the ethereal music of Fluffy. And while American Graffiti takes place on the Anytown, California strip, Nick and Norah pointedly takes place in Manhattan, devoting several shots to its cityscape and celebrating it as the great crossroads.
Near the end of the film Norah says that her favourite part of Jewish philosophy is Tikkun O'lam, the "repair of the world", because it brings broken pieces of this world back together again. And that's what this movie is all about. It's a charming morality tale in which the self-centred, those who are only in it for the money or the sex, are cast into the outer darkness, while the just seek, lose their way, persevere, and finally find each other and the concert at the end of the night.

*except on public transportation.

by

Jan de Bakker

Juno (2007)

Coming to the Lifetime network for women soon, is the new movie Juno. Juno had all making of a woman’s movie, except for the man screwing the woman over part. There are women helping women. Every woman is a heroine. Every man is nebbish. So, it is a like a heterosexual feminist movie.

The movie tries very hard to be a cool indie film a la Napoleon Dynamite (2004) and Rushmore (1998), which are the archetypes. It might have faired better taking a bit from Ghost World (2001), which is a similar and superior movie with the same themes as this one. I see this as the fault of the director, Jason Reitman. Actually, movie tries so hard at the beginning to be artsy film of the year that it is a bit boring at the start. There is the very pretentious animated introduction, which was like so cool, like seven years ago. The symbolism of cross country male runner being sexuality gets old real fast. Luckily, the story kicks in and the film becomes very enjoyable. I think the biggest reason that the film is lacking at the beginning is that you don’t really understand the true nature of the relationship between Juno, Ellen Page and Bleeker, Michael Cera.

In the film, Juno is pregnant, and Bleeker is the father. ( I think that the name Bleeker is a side referring to the Muppets Bleeker in a gen-X way, because the character comes across as a teen Bleeker from the Muppet show. ) It is towards the end of the movie that you realize that Juno and Bleeker are two friends that hang out all the time and decided to have sex one day, as oppose to typical boyfriend-girlfriend dynamic. It would have been good if that was clearer in the beginning.

When the story does kick in, you fall in with the dramas and character of Juno, who is an angelically delightful. Juno is pregnant, and is supported by friends and family, plans, to give her baby up for adoption. She finds the perfect yuppie couple to take the baby. After that she has to deal with the pregnancy and a love triangle of sorts between the baby’s father, Bleeker, and the husband of the yuppie couple; who is played by Jason Bateman, and a he looks a lot like a slightly younger Bono. It sounds cheesy but it works.

Juno, herself, was a joy. Ms. Page brought a lot of good energy and youthfulness to the role. It sort of makes the film. I am always impressed by the generation 9/11. I always get the impression that 90’s were so weird and the era 9/11 has been for horrible that this generation is somehow looking for normalcy. I see this in the way they speak and dress. Somehow it seems both youthful and straight forward. In some ways it is hopeful where previous generations have tried to be so extreme or iconoclastic. It is refreshing to get away from that.

I think what I like the most about Juno, the character, is that she just goes on. This is a coming of age film, probably the millionth one this year. In the end things work themselves out but not without some working at it. I liked that too.

One of the more interesting aspects of the film is the attention to detail in the film. Take a look at the walls in the film, like an old Simpson’s episode, it is filled with interesting stuff. Bleeker has Hebrew letters on the back of his door, Juno’s friend has a picture that has Bill Clinton’s face and really built guy’s body, which I am not sure if really funny or disturbing. On the wall by the staircase, there is really cheesy couple of pictures of the couple who wants to adopt the baby.

I think I will see this movie again. It is not the greatest film ever made, and it has plenty of flaws but I would say that it is one of the ten best films of the year. If Rocket Science (2007) was the male equivalent of this story this year, Juno is the female version. The dialogue is charming and fun. In the end, it is a cute movie.

Superbad (2007)

Ok, this movie is about to be released on DVD soon. It was a big hit this summer. I have to admit that I missed it on the big screen and saw it on an airplane.

My first impression is that this is a very well made movie. It is an excellent Hollywood formulaic teen movie. It used every cliché extremely well.

I think these movies have to be remade every couple of years, because they become outdated extremely quickly. You see that when the actors of these films grow up or dies from an overdose it is hard to take the movie seriously because you see the character as the older version of the actor. Also, teen styles change so often that it effects the shelf life of the film too.

There isn’t really anything special about this film. You have an oversexed fat kid and a skinny kid. The oversexed fat kid is practically an homage to John Belushi, and the duo goes back to the comedy team of Laurel and Hardy.

Although this time, I have to admit there was more overtly gay subtext than I expected. But Hey, everyone is open to their own interpretation of this story.

The story is always the same. Outcast teenagers need booze to get to a party in a hope of getting laid, and there is a coming of age story there; something the kids can connect to.

My favorite part of the movies was the B story, which was about this kid who got a fake ID where he calls himself “McLovin” goes from complete geek to total badass, with the help of the funniest cops since the Keystone cops. Bill Hader and Seth Rogen , the cops, were the best part of the film.

Overall, SuperBad was an enjoyable fluffy film in the same category of “10 things I hate about you.”