Showing posts with label Bono. Show all posts
Showing posts with label Bono. Show all posts

Wednesday, January 30, 2008

U23D (2008)


U2 in IMAX, really? Do I really need to see Bono eight feet tall and coming right me? Not only that but in 3D too? OK, the answer is probably not, but as a hard-core U2 fan I made it to the IMAX as soon as I could.

Does it work? Well, sort of. It is just a few highlights from their Vertigo Tour in Argentina. It lasted for about an hour and 20 minutes. The 3D aspect of it becomes inconsequential after a while as you just get absorb into the show. And what it missing are the long dramatic shots of the band from a far away place, which is so much a part of their character.

So what does work? U2 works. The concert is awesome. Bono’s voice sounds really good. In some of their DVD releases his voice sounds a bit dodgy, but not this time. They make a smart decision of skipping a lot of their hits and going into what they call ‘The Dark side of the heart.’ This is the U2 that makes Axel Rose and Lars from Metallica U2 fans. This is the best part of any U2 show. In songs like Sunday Bloody Sunday, Bullet the Blue sky, and Love and Peace, it is easy to forget it is in 3D.

The problem of putting a live U2 show into a box is the box itself. U2 is essentially a stadium band. The have an ability to connect 55 thousand people and make them feel like some small community. This is done through a mixture of their music and body language. Despite how high tech the bands shows can be, they are always better when they are stripped down. Their body language is sometimes biblical, grand, and dramatic and somehow with that the guy in the noise bleeder seats feels like he is a part of the show.

Another character of a U2 is the Audience, which is really diverse. Even in the IMAX theatre, which was really packed, their were college kids through parents with children. The U2 crowd can sing 5 verses of any U2 song and Bono often asks them to do it.

There is really nothing here that isn’t their latest concert DVD. Still, it is the closest you will get to being at a U2 concert without being at one. At the end of the show, people in the audience seemed surprised on how good it was. So, yeah, is does renew your faith in the band. It was a good show.

Friday, December 21, 2007

The Price of Loyalty, George Bush, the White House and the Education of Paul O’Neill by Ron Suskind


The Price of Loyalty is an account of former Secretary of the Treasury, Paul O'Neill, under our President George W. Bush. Full of well researched material backing up the person account of O’Neill, it goes by very quickly as it is a personal story. It is not quite a biography. It goes in the Paul O’Neill’s past a little, but not much. If it is biographical, it is only in respect to Paul O’Neill’s life as Treasury Secretary.

Being in a cabinet post, O’Neill had very close access to President George W. Bush, and he was the first to write about it. I find the tone of this book kind of bitter, but not unjustified.

O’Neill was a very successful CEO of Alcoa, a self made man, and he had worked in the Ford administration with such people as Dick Cheney and Alan Greenspan. He grew up dirt poor and work his way up to be retired with $60 million in the bank.

He reluctantly took post of a cabinet member. He thought he might be too controversial for the Bush administration. It turns out that he was, but not for the reasons he thought he would be.

O’Neill did fit in with other member of the cabinet who would also not survive, such as Colin Powell and Christie Todd Whitman. Alan Greenspan and O’Neill were old friends.

O’Neill saw himself as a problem solver. His take was that you take away the excuses and look at something realistically; you will then find your solution. He was looking forward to doing that kind of work for the country under George W. Bush’s White House. Instead, he found something different.

One of the first things, he found was that ten days into the Bush Administration, there talk and high priority given to finding out a way to invade Iraq. Another decision was to abandon the peace process in Israel. The cabanet meetings were scripted. Everyone has their role to play with the president and no real discussion ever took place. The meetings became an echo chamber of ideologues by such people as Carl Rove, who would say such as things to the president as “Stick to Principle.” Old friend Dick Cheney had changed from the person O’Neil had known in the Ford Administration. He had become an ideologue too. Alan Greenspan, in his book, also iterated his shock and dismay over the change in Cheney. Both men acknowledged that it had been a long time since they worked with him and hence thought they knew him. Once Cheney he said he in a meeting “the one Ronald Reagan taught us was that deficits don’t matter.” O’Neil couldn’t believe what he was hearing. The one thing Ronald Reagan taught us that deficits DO matter! The deficits of the Reagan era did damage to the country. At one point, a 3rd of the United States government’s revenue went to paying the interest payments of the debt (Greenspan). It was the finical conservative discipline of the first Bush Administration and the Clinton administration that brought the United States back to financial prosperity.

During the early days of the Bush Administration, there was a ginormous (the word is in the new version dictionary - look it up) surplus forecast in tax revenue, which was coming off the Dot-com bubble. O’Neil wanted to use this money to continue to pay off the debt and solve the Social Security problem. The Bush administration was dead set on making huge tax cuts, because he had made that promise in the campaign. Now tax cuts were the idea of the day. Al Gore had also promised tax cuts during the campaign, but on a smaller level and with a commitment to continue to pay off the debt. Alan Greenspan was also in agreement of tax cuts because he feared a U.S. government with too much cash in its hands. However, Bush proposal, which the administration referred to as a stimulus package, was broad and largely irresponsible. Paul O’Neil proposed a series of triggers that would roll back the cuts in case government revenue ever reduced at a significant level. Greenspan agreed and tried to sell it. The Bush administration ignored such an idea and fought against it. In the end, the tax cuts were passed by congress with no triggers. Shortly afterwards the Dot-com bubble burst, and the country would be going back to deficits soon afterwards. Bush would get more tax cuts passed. O’Neill would argue that there isn’t much a benefit to the economy of cuts taxes to the wealthiest section of the country, because they are most likely going to be the ones to put the money away in savings. The Bush administration always took the view that the economy was worse when it was well to justify more tax cuts, which lead the country in further fiscal insolvencies.

O’Neil was probably most in the news with the tour of Africa he took with U2 front man Bono. They went on a highly publicized tour of Africa giving O’Neil a firsthand view of the situation there. He got up close and personal with the problems and saw solution that were very achievable there. He took his family with him. He came back to Washington with ideas of building wells in Africa. That plan never really went anywhere while he was in Washington. He never lost sight of the plan.

O’Neil always spoke his mind and dealt with facts and not ideologies. It eventually got him fired. Like all the other moderates in the administration, he was one of the first major posts to be replaced. O’Neil never played the political game, and it was obvious that he was mistreated. After his departure he has been called back by almost all areas of government to help on projects.

O’Neil describes Bush half a bully and half a sheep being lead my ideologues totally devoid of facts.

The Suskind book a sobering account of the Bush Administration. O'Neill was let go in 2006, so it stops there. I found it surprising rational and lucid. At this point some the ideas are known already. However, like in most cases, it good to get the source of the themes that came out of the book in order to separate from the commentary and talking points.

Saturday, September 15, 2007

Across the Universe (2007)


I have to admit that this is probably the best time I have had at the theatre in a while. This movie is basically “The Beatles, the musical.” There is barely a story here. It is just an excuse to make movie set in the 60’s and sing a lot of Beatles songs. In fact, they murder the songs most of the time. However, as my grandma used to say, you can murder a good song, but you can’t kill it. Basically, what you do with this film is to stop paying attention to any kind of narrative, and sing aloud with your favorite Beatles songs. They are mostly sung in a cheesy musical theatre fashion, which makes it easy to follow along. If you can't do that, then just enjoy the interesting visuals. If you can do both, then you will have a great time with this campy movie.

Of course, you might have some intellectual tension with the fact that this movie is constantly taking Beatles references literally to a point of nausea. Nausea ain’t fun! That is exactly why it is important not think too much while watching this.

Probably the best part of the movie are the visuals, which would be somewhat artistic if the movie just wasn’t so damn cheesy, but you are going to the listen to Beatles songs anyway, so who cares!

Bono is in the movie. He plays Dr. Robert. Dr. Robert is a John Lennon song from the Revolver album. Get it, the Beatles have a song called Dr. Robert and Bono plays Dr. Robert. OK, forgot it. Well, this was no stretch for Bono who basically played his Macfisto role from the Zoo TV tour. U2 constantly barrows from the Beatles anyway, so Bono was right at home here. You can here Bono sing “I am the Walrus,” which is pretty good, and “Lucy in the sky with Diamonds” with The Edge.

Did I mention that the Paul McCartney look-a-like, played by Jim Sturgess, is named Jude? His love interest, who was just 17, was played Evan Rachel Wood is named Lucy. And you have a Jojo, Sadie, Prudence, and lets just say, it gets worse. At one point Jude says, “She came in through the bathroom window.” oi, really! Now, she could have just done that and the audience would have gotten the picture, but no, the filmmakers had to go for 120% cheesiness. If you not a purest, it is possible to really enjoy this shtick.

I am not one to have an opinion on choreography, but I like it in this film. I really seems to have work well. There are a thousand and one references to people and events of the sixties that are so NOT subtle.

This film is directed by Julie Taymor.

Just think of Across the Universe as Beatles sing-a-long and you will be in great shape, and don’t forget to clap when they have John Lennon, George Harrison, Paul McCartney, and Ringo in the credits, because it is the only mention of the actual Beatles in this movie. This feels like a cult classic!
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